It is a hundred times more effective than what was devised under the Soviets, even during the era of stagnation.
It includes everything from the physical murder of “whomever is necessary” to millions of restrictions against everyone else. And it is backed by enormous spending. The Soviet Union never invested so much in repression. McCarthy never spent so much on persecuting dissenters.
A great deal has been done to ensure that people now cannot find common ground, that voters and those who want to represent them politically live in different countries. And no one said that those who will govern Russia in the future are necessarily abroad today.
You have done many war-related investigations. Every war has a stage when the killers, the wounded and everyone else return home.You are right that the effect on society will be terrible. And not only because of the war itself, but also because of how society has been reshaped by what the Russian government has done over the years, including through this war.
Again, we return to the fact that we are not dealing with fools. They have done everything possible to ensure that both journalists and audiences have as little chance as possible of finding out what is really happening. Their measures against the media, their control of information and platforms – it is all carefully structured. With every blow they further weaken our connection with the country.
What they have done is not trivial. Starting with economic restrictions against the media, continuing with legal, geographical and technical barriers. Everything is meant to ensure that, in the end, our readers and viewers know less and less about what is happening inside Russia.
I must admit: it has worked out for them. We are very limited in what we can learn about what is going on there. We can figure out which 17-year-old starlets are being paired up with Putin. But learning what is happening at the grassroots level in a village like Vyritsa outside St Petersburg – that challenge could prove too big.
If some war veteran were to murder a family after being driven mad by mobilization and by television propaganda, there is no guarantee we would ever learn of it.
As far as we know, books by those who left sell well. And now they are being written more and more. How will you measure the success of your book?The devil knows. Of course, there are print runs. But all of that has become very “elastic” in the new, emigrant conditions. There is no single, continuous book-selling network, as there was in Russia. Instead, there are scattered contracts with stores, with online platforms. So there is no point speaking of print runs as in Russia.
Our approach is simple: we cast off this burden from ourselves. That alone is a huge success for us. We understood that we had to write this book, because otherwise it would have gnawed at us.
Writing it also served as therapy for our memories. We wanted to structure them, to lay them out clearly, to share them. And we did it. It was an unprecedented feeling of relief, I can tell you.
As for public success – books have a much longer half-life than any investigation we publish. I understood this well while working on it. Because in our book we drew on materials written 20-25 years ago, overlooked at the time. Even though we are journalists and used to thinking in the medium term, here we were working with a long time horizon. Success, in this case, will be if
the book is used. We shall see.
Have you read Sasha Filipenko’s new book, Elephant?No.
He told us that his novel was briefly available on an online marketplace in Belarus. A few hours after he posted about it, the link was removed. The book was on sale for exactly one day. After that, Filipenko uploaded it for free on his Telegram channel. In this sense, could your book become like a paywalled article that suddenly becomes free?That does not depend on us.
Have the rights been sold?It is not only a question of the publisher. There are many different factors at play here, not only connected to us. So I would rather not go into it further.
Recently Boris Grebenshchikov was asked what he hopes for. He replied he prefers not to hope, but to act. And he does – a great deal. What do you hope for?First of all, the great musician and man expressed it very well. We are in agreement. Among existentialists there is this concept, and it is close to me personally: action without hope of success. If an inner voice tells you that you must do something because it is right – because you have promised it to yourself – then you must do it. If it resolves the eternal problem of things being left unsaid, you must do it. Yes, I believe in that.
I hope at least to work in Russia as a journalist. For now I work abroad, among other things to strengthen and improve my chances of one day working again inside Russia. I am not talking about living there a bit. I am not talking about life there with my family – though of course I would like that too. But as a cautious journalist with an investigative background, I would like at the very least to work again in Russia as a journalist.
I think it would be useful both for Russia and for me.